Happy hangover cogorza 2008 and prosperous 2009.
Signed
Dev ...
... XDDD That noooo
F-list, you are the best in the world.
Kaa, Krissi and Maca ailoveo to you girls a lot.
Kusudama ( nn. 薬 玉 , letters.: "Drug ball ») - paper model, which is usually (but not always) formed stitching together the ends of sets of identical pyramidal units (usually stylized flowers , composed of a square sheet of paper), so that a body is spherical in shape. Alternatively, individual components can be glued together (for example, kusudama on the photo is completely glued, not sewn). Sometimes, as an ornament, bottom-attached brush.
Art kusudamy comes from the ancient Japanese tradition, when used for kusudamy incense and a mixture of dry petals, perhaps it was the first real flowers flowers or herbs. The word is a combination of two Japanese words kusuri , Medicine and tama , Shar. Currently kusudamy usually used for decoration or as gifts.
Kusudama is an important part origami , particularly as a precursor modular origami . It is often confused with modular Origami, which is false, because the elements that make up kusudamu, stapled or glued together, and not nested within each other, as suggested by the modular origami.
However, kusudamu Still considered as a kind of origami, while the fighters for the purity of origami look askance at the characteristic kusudamy technique stitching or gluing. In However, others recognize that in the early traditional Japanese origami often used paper cutting and gluing and homage kusudame, as an important object of folding origami models, among others.
Modern masters of origami, such as Tomoko Fuse have created new designs Kusuda, which are fully going without cutting, glue or thread (except suspension).
http://kusudamas.narod.ru/kusudama.html
http://www.metacafe.com/watch/374320/how_to_fold_a_japanese_paper_ball_kusudama/
Kusudama "Morning Dew" ;
http://kusudamas.narod.ru/md.html
http://cablemodem.fibertel.com.ar/japon-a-la-carta/Origami.htm
---- Over a thick trail, abandoned to their fate, restores a silent walk between his Melancholy persistence.
So his mind wanders, and as it struggles to contain the claim in his throat incomprehensible youth. Holds your lower lip, using his white teeth, waiting for the skin yields to their work and break resistance to wet your dry mouth.
The blow still marks his flesh, reddish stain right cheek, waiting patiently wise to swell place. The pain accompanies the action of his body, maneuvering in his chest. Interestingly, it refuses to appear in its physical location and prefer to head to the existing fantasy.
And he is still there, watching his pain. Perhaps incorporating a smile on his face vindictive, emphasizing the success you get daily.
So he refuses to tell you more.
Calla.
Because silence is what angered him most. His hit would be more brave, but his victory would be locked forever.
I see you, from the underworld that is for me to be in that stinking place, with increases in mixed drinks alcohol and cigarette smoke. The wave of abuse my nose smells, killing my lungs get tired of closing to avoid filled with so much pollution. And the rhythm of my breathing hold, I get angry with you, because you've just come to this hole in the world, waiting for those convicted lips you have, so I removed the little sanity I have left.
I writhe of the mixture of rage and anger that causes me to see you there in that corner with your clear smile of derision, little boy watching as I develop a difficulty, a disastrously in your territory. It is in these moments where I stand ready to leave because I produce indigestion me to your obvious subject of the matter quiet ride. But it very well, never advanced a little more off the premises.
Even the clang of the music I hear in that awful seedy bar is presented in my mutilated ears, when I feel your hands firmly holding my waist and power. I feel your hip movements will, trying to find a contact with my back demanding. You're a pervert hurry, I know very well. I as always, I refuse and gives you a nudge. I never liked the subtle way to ask for so little that attention on my part. Of course this is far from important fact, because you laugh like devil, because what you produce is really angry that someone made that kind of rudeness.
And right there, when caught in your hands my shoulders, ensuring secure your victory. Looking for my lips as a patient a cure; the lick, bite, massaging, abuse ... The enjoy your fast-paced and violent. That's when I know.
I know I will hate for the rest of my life, because you are the only and first in my life stupid, mordant and bitter, which made me feel pleasure in every thing in this damn universe. Because I smell you desire from cigarette butts, dried and glued to the floor, recalling the site of torture hell where my night begins. I imagine your blue eyes in the cloudy sky, full of thunder that resemble electrical currents that run through my spine when you enter your member dorzal harshly and without mercy in my body. The rain seems to sweat, your sweat covering my skin, as in those nights of passion and exuberance that you give me when you see me standing, almost begging for a second of your life for me.
And curse you, because you are a bastard. What spell cast on me, Deidara? Because if it's love, will be condemned me forever.
Name of the film in the original looks ハウル の 動く 城. His reading can be written Cyrillic on system Polivanova as "Hauri but ugoku shiro." The authors offer the following English version of the film's title: «Howl's Moving Castle» (Moving Castle Houle). I must say that this version is a literal translation of Japanese letters.
first word written in katakana , ハウル, - it's the English word «howl», which is pronounced "Houle" and translated as "roar, scream, moan, whistle." "Houle" - the name of the owner of the castle. After it goes sign hiragana but , which is demonstrative of the genitive case. Followed by a verb 動く ( ugoku ), with a value of "move" in relation to to mechanisms. And as the castle itself is the same unusual, as almost everything in this film, it is a complex mechanism, made a part, using computer graphics, masterfully glove, almost imperceptibly, into the fabric hand-drawn film. The last character, 城 ( Syro ), translated as « lock ». So that the result is "Moving Castle Houle.
Houle - mystical and attractive host a walking castle. He is rumored to devour the heart of beautiful young women, but in reality it is - an emotionally complex wizard which can be unbearably stubborn and surprisingly gentle. Lone powerful sorcerer who has made a strange bargain with the demon of fire, Kaltsiferom, which it seems, lies in the nature of things. When "Grandma" Sophie bursts into his life and brings clarity to his castle, then later she starts to have a big impact on the life of Houle and the ability to overcome his personal demons. At first it may seem vain and proud, sending Sophie to his former mentor and the powerful enchantress Salliman.No he just wants to check her allegiance because he had once betrayed, and he is still skeptical about the people is quite interesting that the film no one says that Houle - good or evil magician. He is a magician. As a child, he lost heart, and now lives only for sebya.Krasivy, elegant, attractive, but at the same time fragile and timid. He's incredibly strong, and besides, then learns the true value of his life. He will share with Sophie their most intimate secrets that do not tell anyone.
Sííiiiii ", I say, truth can not be heaven, what last? What chuli, these Japanese are amazing ... were so rightly wonderful, true that if you look at their faces, thinking well, we can see the style of the artist in these drawings are so different, Chihiro's father is a bit like the grandfather of Heidi, but only slightly as each character has its own independent character, a much more European and more Japanese, I do not know how he could learn so much character and idiosyncrasies European transmit with such force and genius, ufff ... is an outstanding teacher!
Замечательный cartoon, much like "Alice in Wonderland."
Akio's father, mother and their South ten year old daughter named Chihiro move into a new house, located somewhere in the backwoods of Japan. Confusing way, which, as it seemed to the Pope Chihiro must bring to their new home, they stopped in a strange forest, the way in which ended a long and dark tunnel. Passing through him, the three hapless travelers were on the station the station, which appeared on the prairie, where the offing could see the little town that looks like an abandoned amusement park, where many have built in the nineties. On the streets and houses of the town was not a single living soul, the town was asleep. A little walking up to the park's father sees a cozy restaurant, and entered it finds a table, lomyaschiesya of delicacies and most different dishes. Mother and father decide to have a meal and Chihiro goes wandering around the city. During the walk, she notices a lot of countries, such as smoke from a chimney abandoned building, and returning Chihiro no longer finds his parents in their old form. Rapidly gathering dusk and the evening comes, flooding the city of strange shadows, appearing everywhere. Now Chihiro will need to work very hard to help their parents to regain their independence and return home.
Children of the consumer society effectively and clearly taught the lesson that must penetrate even into their heads stuffed with advertising.
The most concrete illustration, of course, Chihiro's parents, who pounced on someone else's food, like pigs, and as punishment for greed turned into pigs.
On a deeper psychological level, the same problem embodies the Faceless. This huge animated metaphor forces us to once again admire the talent master, who managed an extremely simple figurative language does not express simple things.
paramount that shows Faceless - this is the reason painful craving for consumption: poor can not communicate.
No person and your own voice, he swallows around to find it (An analogy with the viewers have forgotten how to think, that information swallowed without chewing, and then mechanically repeating the words of others).
It is easy to understand what a miserable and horrible creature is in the surrounding mainly disgust and fear. Faceless never seen sympathy indefinitely lonely and unhappy. Chihiro first, maybe his whole life indefinitely, has behaved with him as a human - let in the house, not left to soak for rain.
Judging by the fact that the witch Steam and her subordinates have heard about the faceless, its appearance in the bath - not the first contact with humans. It can be assumed that we face it the usual way to feel happy: love and respect he is trying to buy, throwing gold. Disgusting, smug Beast and the crowd of flatterers around him, ready to do anything for profit - the image of old as money itself, and just as ubiquitous. Incidentally, the scene of gluttony Featureless echoes assertive replica of his father Chihiro that a purse and a card with him, so he can do whatever he wants.
But of course, gold does not change matters. The only new feeling Faceless awakens around with money, it's greed. While he did not see anything the other, he lacked such an illusion of happiness, but a meeting with Chihiro for the first time makes him realize a simple comparison that fussy fawning frogs - not more than What a lie.
Alas, in real human relationships Faceless completely helpless. Even a vague feeling of what it lacks, He has no representation as to get it. He tries to bribe Chihiro, then to intimidate, but to no avail; unselfishness girls throw him astray and leads into a frenzy.
hardly a dystopia or a treatise on the psychology of modern society, which would give a more accurate portrait individual for whom communication substituted consumption.
But Miyazaki Miyazaki would not have been, if limited exposure of the public vices. Faceless - not a villain but a victim, although not known whether his own stupidity, randomness, or someone evil spells. It is important that the poor are not to blame for the ugly device of his inner world, and Miyazaki can not leave him to his fate. Chihiro helping the suffering souls find shelter.
Thus, we show that consumption - not just evil and misfortune, perhaps, disease, and not on some abstract considerations of social justice, but because happiness still can not buy (or, what is bought, not true happiness).
This conclusion may seem common place, but the truth is often the way it sounds. All it knows and all ignored. Therefore, the more important that from time to time about her someone was like, the best teacher or an artist. (A. Panin, Manual Youth)
http://miyazaki.otaku.ru/